恐怖片

　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.　　comments from imdb:　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.　　15 out of 10 and then some. 10/10　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

　　某小村中学，对考古具有浓厚兴趣的老师八部高史（竹中直人 饰）及其学生月岛令子（上野めぐみ 饰）在进行一项研究时双双失踪。一时间校内人心惶惶，各种流言猜测四起。行为怪张的考古学家稗田礼二郎（沢田研二 饰）应八部老师的邀请来到这所学校，他偶然救助了八部的儿子正雄（工藤正貴 饰）。正雄既担心父亲的安危，又惦念其所暗恋的女孩令子。稗田利用自己发明的妖怪探测器，在夜晚和正雄来到学校。结果发现，八部老师在考察一座古墓时，无意中释放了藏身其中的妖怪比留子。据说比留子是《古事记》中初神伊耶那岐和伊耶那美的孩子。她的复活，为平静的学校带来一阵腥风血雨……　　本片根据诸星大二郎的漫画《妖怪ハンター》改编。

　　1992年，一架飞碟突然出现日本上空。飞碟走下三名自称时来自23世纪地球联邦机构的官员，他们要求直接与日本首脑对话，敦促日本尽快消灭哥斯拉，防止重蹈未来亡国的命运。　　专事研究各种神秘事件的寺泽健一郎（丰原功补 饰）在未来写过《哥斯拉诞生》一书，其中披露了这只恐怖怪兽诞生的秘密。根据这本书的记载，未来人提出要健一郎、曾在太平洋战争期间目击哥斯拉的恐龙专家真崎洋典（佐佐木胜彦 饰）以及国家超科学研究中心成员三枝未希（小高惠美 饰）乘坐时光机返回1944年的拉哥斯小岛，试图将哥斯拉传送到别的地方。　　寺泽他们的行动取得成功，但是20世纪却出现了另一头怪兽三头金龙王。种种诡异事件的背后，可怕的危机遽然降临……

　　近未来，日本社会工业文明高度发达，但人类的精神世界却堕落至谷底。当心灵和欲望都倍感空虚之事，一种代号为“匹诺曹”仿生机器人应运而生。他们具有人类男性的一切特征，发明的目的旨在充当女性和同性恋的泄欲工具。　　丧事记忆的少女姬子（ONN-CHAN 饰）与被残酷的女主人切除脑蛋白质的匹诺曹964（鈴木はぢ 饰）在大街上相遇，这两个孤独畸零的个体从此生活在一起。然而匹诺曹964的内部零件不断损坏，已经接近崩溃边缘。姬子焦急万分，四处寻找修理他的办法。她甚至找到制造匹诺曹的公司，然而却无功而返。另一方面，开始疯狂焦躁的964向姬子发起了攻击……

　　天空一声菊响，陨石闪亮登场——陨石一个蛋疼撞击了东京湾，并且散发出t病毒。于是日本在经历众巨型怪兽群奸之后又要应付新一波的丧尸危机——军队依旧那么不管用，丧尸门三下两除二便将军队给爆了个菊，但是军队还是军队，丧尸也损兵折将不少——与此同时，本片的女主人公：高达惠子，也开始与丧尸进行各种sm捆绑大战！！！