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导演：
/Nattapat Sookwongsil
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爱情，从来行动大于言语 威伦，一个出生在情人节的年轻人，却从来不知道爱情——甚至连他父母的爱都不知道。他遇到了一个对他表现出同情和温柔的人 Valen, a young man born on Valentine’s Day but has never known love - not even the love of his parents. And he meets someone who shows him compassion and tenderness.
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/埃里克·里希特·斯特兰德
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《王冠 The Crown》制片公司Left Bank Pictures为Netflix制作另一部新剧《她的双眼背后 Behind Her Eyes》，这部剧集改编自Sarah Pinborough的同名惊悚小说，6集改编剧现已开机拍摄拍摄。 《她的双眼背后》女主角Louise是位单亲母亲兼秘书，某夜她在酒吧认识并亲吻了名年轻的男子David，但后来Louise发现对方竟是自己的新上司；同时间Louise在镇上结交了新朋友Adele，不过女主接下来才知道她是David的妻子。Louise痴迷并陷入于这对夫妇的关系中时，女主却逐渐认为他们有着很多不对劲的地方，表里不一的David及Adele可能隐藏着可怕的秘密。 Simona Brown饰演Louise﹑Tom Bateman饰演心理医生David﹑Eve Hewson饰演Adele。
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/费莉佩·舒尔
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Diogo (17) likes to make anonymous phone calls to his psychoanalyst mother’s patients. That’s how he meets Angela (43), who had just been left by her husband. Although she is first irritated by learning about Diogo and his secret, Angela feels attracted and he brings a new sense to her life. Feeling a true bond between each other, Angela and Diogo fall in love. Yet, they have to face disagreement of his parents and fight for their relationship.
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/奥利维耶·阿萨亚斯
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玛利亚（朱丽叶·比诺什 Juliette Binoche 饰）是一名十分出色的演员，凭借“西格德”这一角色一举成名。在剧中，西格德野心勃勃，全身上下充满了致命的吸引力，她的行为直接导致了名为海琳娜的角色的自杀，是一出惊为天人的悲剧。 如今，玛利亚已经四十多岁了，命运让她再度站在了舞台之上，只是，这一次，她不再是性感致命的西格德，而变成了悲剧的化身海琳娜。饰演西格德的是一位名叫艾莉丝（科洛·格蕾斯·莫瑞兹 Chloe Grace Moretz 饰）的新生代演员，她的个性狂放不羁，常常惹是生非，饱受非议。在入戏的过程中，玛利亚在艾莉丝的身上看到了曾经的自己，引发了她深深的思考。
导演：
/Andrey Zagidullin
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Contemporary Moscow. After a car accident, champion athlete Sergey Borozdin suddenly has a psychic ability to see past events. When he becomes a suspect in a series of murders, he is forced to use this ability to find the real killer.
导演：
/Albert Shin
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三個女人、一個即將出世的嬰兒，與一場「母親」身分的交易。一對富裕的夫婦來到僻靜的農場，一對母女住在這，未成年的女兒懷了孕，見不得人。她們協議－－不孕的少婦住在這等孩子出世，待少女生產以後，她便帶走嬰兒，未婚小媽也能「解決」孩子，重啟新生活。隨著這個誰都不屬於的小生命即將降臨，三人的壓力逐解膨脹，看似完美的計畫也一點一點裂解…… A weathered woman and her odd teen-aged daughter live in isolation on a desolate farm in South Korea. An affluent city woman comes to t hem seeking help with a sensitive matter and the three women soon fall into a new rhythm of life together, each working to fill a void within. However, as their very different paths converge, their deal becomes more than what they bargained for. - Written by Anonymous
导演：
/Kevin Altieri,Frank Squillace,Patrick Archibald
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The Rescue Bots are Transformers that work with a family of heroes to rescue humans from disasters. These non-violent Transformer stories are aimed at preschool viewers.
导演：
/Chris Robinson
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在这部成长题材剧情片中，一位退隐的音乐神童（卡希尔·伊夫雷奇饰演）与一位倒霉的高中保安（安东尼·安德森饰演）意外成为了朋友。他们因为对嘻哈音乐的共同热爱而走到一起，他们试图努力让对方从过去的痛苦中摆脱出来，同时希望登上舞台表演。《节拍救赎》由克里斯·罗宾逊（《新美国故事》《New Edition 的故事》）执导，伊夫雷奇、奥卓·阿杜巴和伊梅雅格特伊·科伦尼伊乐迪共同主演，这也是伊夫雷奇的电影处女作。《节拍救赎》是对芝加哥南区的终极颂歌，其创造音乐的悠久历史不断地为这个城市注入活力。
导演：
/平山秀幸
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五十岁的芙美（小林聪美 饰）独自住在滨海小镇，每天过着规律的生活，一早先来个健康操，中午和同事们坐在堤岸吹着海风共进午餐，下班后则准时到社区戒酒会报到。日复一日的平凡生活，却因某夜一块从天而降的陨石改变了。这几亿分之一的机率降临后，芙美渐渐发现周遭各种过去不曾留心的人、事、物。寡居好友的新恋情竟是为亡夫诵经的和尚；邻家小男孩航平大喜大悲的初恋情事；戒酒会导师背后不为人知的惊人面貌；以及初到镇上的新面孔，那个擅长用露草叶子吹出美妙音律的男人吾郎（松重丰 饰），两人从互相注意到心动，他们不过问彼此的过去，也不去想遥远的未来，只是共享当下，一起停下脚步感受被遗忘已久的幸福，而那些尘封许久的悲伤往事也奇迹般地得到抚慰。
导演：
/Edward L. Cahn
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
导演：
/塞巴斯蒂安·古提耶雷兹
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安古斯（卢夫斯·塞维尔 Rufus Sewell 饰）和贝利（雷诺·维尔森 Reno Wilson 饰）在旅行途中结识了一名老水手，三人交谈甚欢相见恨晚。老水手将两人带到自己居住的城堡之中，在那里，隐藏着他引以为傲的秘密。原来，老水手曾经见过真正的美人鱼（卡拉·古奇诺 Carla Gugino 饰），不仅如此，他还费尽心机的捕获了她，将她囚禁在城堡之中。 安古斯和贝利在美人鱼身上看到了无尽的商机，他们知道，这稀世珍宝能够给他们带来无限的财富和光明的未来，于是，两人联手将美人鱼偷走了。随着时间的推移，美人鱼的确给两人带来了财富，却也将他们推向了死亡的阴影之中。
