Son
搜索"Son"，找到2378部影视作品
导演：
/Philippa Lowthorpe
剧情：
约翰、苏珊、提提和罗杰终于得到爸爸妈妈的同意，可以驾着燕子号小船，前往梦寐以求的湖中荒岛冒险了！在一个完全陌生的地方独立生存下来真是不容易，先是要给船找一个安全的停靠点，还要自己生火做饭，搭帐篷，抵御暴雨……但是这都让燕子号船员们兴奋不已。只是，湖中那个可疑的船屋和古怪凶悍的海盗究竟是什么来历，真是神秘莫测，让人担心。就在这时，他们却遭到两个女“海盗”——南希和佩吉的偷袭！她们是亚马逊号小船的主人。随即，一场小岛“争夺战”打响了！他们最终谁夺得了小岛？古怪凶悍的海盗是敌还是友？快随他们一起开始冒险旅程吧！
导演：
/道格拉斯·阿尔尼奥科斯基,克洛伊·多蒙特,温蒂·斯坦齐勒,Maja Vrvilo
剧情：
经典剧情惊悚片《沉默的羔羊》计划推出一部衍生剧。CBS预订了新剧《克拉丽丝》(Clarice)的剧本，以电影中朱迪·福斯特饰演的特工Clarice Starling为主角，讲述《沉默的羔羊》事件一年后的1993年，她回到一线去追捕连环杀手和性犯罪者，同时也游走在华盛顿高风险的政治世界。阿历克斯·库兹曼(《新木乃伊》《星际迷航：发现号》)、詹妮·吕美特(《蕾切尔的婚礼》《星际迷航：发现号》)担任该剧编剧和执行制作人。如果顺利开发，会在2020-21播出季推出。
导演：
/Lee Haven Jones
剧情：
Silverprint Pictures为ITV制作4集新剧《The Long Call》。 本剧改编自《探长薇拉》原著作者Ann Cleeves的同名小说，该小说是自她二十年来首个新系列"Two Rivers"中的第一本。 剧集以英格兰西南部的德文郡为背景。警督Matthew Venn回到德文郡北部，和他的丈夫Jonathan在一个小社区安了新家。 二十年前，被家人排斥的Matthew，离开了曾经成长的福音派社区，那是一个要求严格的社区。如今Matthew回来了，不仅仅是站在父亲葬礼举行的教堂外，远远地悼念，更是为了负责自己的第一桩重大谋杀案。在Matthew新家附近的海滩上发现了一具尸体，一个脖子上有信天翁文身的男子被刺死了。 这起案件把Matthew带回到一个潜藏着谋杀和阴谋的社区。而这一切都发生在德文郡北部美丽惊人的海岸线边。 《丹斯》编剧Kelly Jones执笔剧本，《设得兰谜案》导演Lee Haven Jones执导。
导演：
/彼得·格林纳威
剧情：
一位面目丑陋不堪的老妇生下了一个相貌标致、拥有天使面孔的男婴。然而男婴的姐姐（朱丽娅·奥蒙德Julia Ormond饰）却声称孩子是自己的。处女生子的荒唐前提一旦成立，一连串不可思议的玄虚之事便相继发生，整个世界的秩序将不复存在。她先是宣称男婴为神之附体的圣婴，后是以圣母玛利亚自称，靠圣婴赚取钱财。当姐姐与主教的儿子（拉尔夫·费因斯Ralph Fiennes饰）相恋时，却遭到了圣婴的阻碍，主教的儿子惨死在牛角之下。 姐姐为了报复，杀死了圣婴，闻讯赶来的人们要求严惩这个触犯天条的女人，于是她被判处了死刑，由于当时法律规定，处女是不能处死的，所以教皇命令208名士兵强奸她。姐姐在强暴中死去，人们欢快地将圣婴肢解后分掉，希望可以得到圣婴的庇佑。
导演：
/安德鲁·德罗兹·巴勒莫
剧情：
有一户人家，他们世代隐居在由高墙和篱笆围起的一方天地里。与世隔绝的他们不论外界的时代如何更替，文明怎样进展，仍然固守着古老的生活方式，简朴、素雅、纯真。有时候，丰沛的阳光会穿过茂密的守护森林，毫无保留地照耀着每一棵古树、每 一寸厚土，也照耀着光影里两个精灵般嬉戏时而消失又突然显现的 少年。 成长的路总不是一片坦途，正如叛逆的阵痛永远会如期而至。眼看着新鲜力量就要冲破这亘古的高墙和藩篱，然而母亲的离奇暴毙，妹妹的突然失踪，父亲愈发的心事重重，都令少年更加坚信自己身处在一个古老而危险的秘密之中，而这个秘密的答案，也许就能解开羁绊在自己和妹妹身上的神秘力量的终极谜题......
导演：
/X导演
剧情：
本片是经典电影《舞台中央》（Center Stage）的第三部作品。Peter Gallagher将再次扮演美国芭蕾舞学院的院长Jonathan Reeves，Sascha Radetsky再次扮演舞蹈演员兼舞蹈教练Charlie，Ethan Stiefel再次扮演骄傲自大的舞蹈教练Cooper Nielson。Kenny Wormald和Nicole Munoz也将再次扮演Tommy Anderson和Bella Parker。 在这部电视电影中，Jonathan试图将现代元素和创新风格带入美国芭蕾舞学院，于是让Charlie、Cooper和Tommy设立一个舞蹈训练营，报名参与者将展开角逐，胜者直接进入美国芭蕾舞学院。与此同时，Bella Parker决定摆脱事业成功的Kate带给她的影响，到训练营中追求自己的舞蹈梦想。首次演电影的Chloe Lukasiak（《Dance Moms》）扮演舞蹈神童Gwen，是Bella在训练营里的竞争对手。（cr 天涯小筑）
导演：
/Chris Robinson
主演：
剧情：
在这部成长题材剧情片中，一位退隐的音乐神童（卡希尔·伊夫雷奇饰演）与一位倒霉的高中保安（安东尼·安德森饰演）意外成为了朋友。他们因为对嘻哈音乐的共同热爱而走到一起，他们试图努力让对方从过去的痛苦中摆脱出来，同时希望登上舞台表演。《节拍救赎》由克里斯·罗宾逊（《新美国故事》《New Edition 的故事》）执导，伊夫雷奇、奥卓·阿杜巴和伊梅雅格特伊·科伦尼伊乐迪共同主演，这也是伊夫雷奇的电影处女作。《节拍救赎》是对芝加哥南区的终极颂歌，其创造音乐的悠久历史不断地为这个城市注入活力。
导演：
/Song Jae-yong
主演：
/姜艺媛
剧情：
Soo-ha leaves the city and goes to the roadside rest stop inherited from her father. The rest stop, however, is losing business as much as Soo-ha’s life is losing vitality. Because of a new road, few people pass this way and there are two employees who don’t really fit in. Even worse, her brother comes and passes his partial ownership to her and leaves his daughter behind. As Soo-ha gradually wears down, a South American band ‘Kawsay’ drops by the rest stop in the middle of their trip. Soo-ha welcomes them thinking they might attract more visitors.
导演：
/Edward L. Cahn
主演：
剧情：
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
导演：
/大卫·米尔金
剧情：
在曾经的青葱岁月中，罗米（米拉·索维诺 Mira Sorvino 饰）和米歇尔（莉莎·库卓 Lisa Kudrow 饰）是校园里靓丽的风景线，作风张扬又别具一格的两人在吸引众人眼球的同时也遭到了不少非议。如今，早已经走入社会的两人依旧维持着当初的友谊，只是，她们离曾经的梦想和梦想中的生活却很远很远。 即将举办的高中同学会犹如一道闪电照亮了两人平庸的生活，在虚荣心的驱使下，她们决定乔装打扮一番，企图再度找回做“女王”的感觉。不幸的是，在同学会上，曾经的死对头希瑟（詹尼安·吉劳法罗 Janeane Garofalo 饰）毫不留情的拆穿了罗米和米歇尔苦心营造的假象，就在两人窘迫不已之时，一度被嘲笑为“书呆子”的男孩桑迪（艾伦·卡明 Alan Cumming 饰）变身百万富翁出现在了她们的面前。
导演：
/丽莎·索珀,亚历克斯·皮莱
剧情：
HBO Max打造的《美少女的谎言》续集剧集《美少女的谎言：原罪》敲定两位主演：钱德勒·金尼(Chandler Kinney)、玛雅·莱弗科(Maia Reficco)。故事设定在一个住满蓝领工人的小镇，20年前这里曾经发生过一系列悲剧，20年后，故事将围绕另一群新的少女们展开，她们发现自己被一个不明身份的袭击者纠缠，被迫为父母当年犯下的秘密罪行而赎罪。《原罪》被描述为“黑暗，愤怒而又恐怖的。” 该剧由丽莎·索珀执导前两集，罗伯托·安古列·萨卡撒、林赛·布灵操刀剧本。这部《原罪》依旧与之前的系列一样，根据萨拉·谢泼德(Sara Shepard)的畅销书系列改编。该剧将于今年夏季在纽约开拍。
导演：
/罗丝·崔奇,林恩·史都克威,Clément Virgo,Lisa Cholodenko,Burr Steers,Jeremy Podeswa,Ernest R. Dickerson,Alison Maclean,Tony Goldwyn
剧情：
第二季承接第一季的故事情节。出轨的贝蒂伤透了蒂娜的心，贝蒂想方设法求得蒂娜回心转意。詹妮的生活方式让蒂姆大发雷霆，决定搬离洛杉矶。爱丽丝（蕾莎·海利 Leisha Hailey饰）与德纳（爱琳·丹尼尔斯 Erin Daniels）的地下恋情发展迅速。夏恩（凯瑟琳·莫宁 Katherine Moennig）与卡门（萨拉·沙希 Sarah Shahi饰）一见钟情，打得火热。“星球”餐厅重新开张，海伦娜（蕾切尔·雪莉 Rachel Shelley饰）带着浩浩荡荡的摄影队伍出现在蒂娜眼前…… 在“The L World”里，好像每个人的生活都出现了大大小小的问题，可生活（Life）与爱（Love）仍在继续。
导演：
/Ernest R. Dickerson
剧情：
美国洛杉矶，刚从芝加哥大学毕业的詹妮（米娅·科施娜 Mia Kirshner饰）来到洛杉矶与男朋友蒂姆（埃里克·马比斯 Eric Mabius饰）同住，立志成为一名职业作家。他们的邻居是一对相爱七年的女同志贝蒂（詹妮弗·比尔斯 Jennifer Beals饰）跟蒂娜（劳蕾尔·霍勒曼 Laurel Holloman饰）。生活琐碎加之种种遭遇，不仅让詹妮对生活丧失信心，更让她对爱情产生了质疑。一天，詹妮受邀参加贝蒂跟蒂娜组织的家庭派对，她被一位迷人的女人深深地吸引了。这坚定了詹妮加入女同志团体的信心，从此开始一段迥然不同的生活，一个与众不同的新世界。 《The L World》一共六季，由美国Showtime电视台与米高梅公司联合制作，作为影史上第一部描写女同志情感故事的电视影集，在英美同志圈广受好评。
