Hall
搜索"Hall"，找到200部影视作品
导演：
/Rafael Monserrate
剧情：
Abandoned by his father at the age of five and raised in near isolation by a loving, yet emotionally unstable and over-protective mother, the only life Peel Munter has ever known is within the confines of his childhood home. Upon his mother's unexpected death, 30-year-old Peel is left lost and utterly alone. With no job, family, or friends, he must make a choice; live as his mother did, lonely and unsettled, or change the course of his impending fate by breaking out into the unknown, facing the trials and tribulations of an outside world he doesn't understand. Unable to make the house payments, Peel decides to take in a couple of drifters as roommates. After forging what seems to be a burgeoning new family and brotherhood, one of the roommates betrays Peel's trust, compelling Peel to venture out in search of his long-lost, real brothers who had been taken away from him decades ago. Along the way, Peel's lack of cynicism and innocence has an inadvertent, yet powerful effect on those he meets, as he brings a group of marginalized misfits closer to their true home.
导演：
/Adisa
剧情：
Abducted off the sidewalk of suburban America, fifteen year old Dani finds herself submerged in the horrific underground world of human trafficking. With no initial assistance from the police, Dani's mother and an ex-prostitute take to the streets in an effort to find her before it is too late.
导演：
/布拉德·安德森,艾玛·弗里曼,本·扬,切瑞·诺兰
剧情：
Netflix与知名澳剧运作人Tony Ayres(《一记耳光》《阴差阳错》)、制片人大卫·海曼(《哈利·波特》《地心引力》)合作推出惊悚剧《标题党》(Clickbait)，讲述“在社交媒体年代，我们最危险、不受控制的冲动如何被刺激加剧，以及现实人格与网络人格越来越严重的割裂”。 Ayres和Christian White一起担任剧集主创和制作人，Ayres任运作人，White编剧，Brad Anderson(《罪人》)为主要导演，NBC环球旗下的Matchbox影业也参与制作，将在墨尔本拍摄，共8集。
导演：
/Edward L. Cahn
主演：
剧情：
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
导演：
/Steve Clark,Jeff Hall
主演：
剧情：
全身长着橙色皮毛的加菲猫是一只生长在大都会内一个平凡街区的猫儿，他天生具有哲人般的怪想法和似乎有无止境的旺盛食欲。比萨、猪肉卷、意大利面、蛋糕乃至各种无上美味且具含高热量高脂肪的食物都是加菲的最爱，而对于青菜、老鼠等等则嗤之以鼻。对他来说，美美的吃上一顿后再打个盹，这便是最完美的猫生。而那个身为漫画家的主人乔恩，毋宁说是老天专门派来服侍他的仆人；小狗欧弟则当仁不让是加菲解闷找乐的首选对象。加菲猫自私、小气、贪婪、懒惰、虚荣、自恋，可是却得到了全世界的宠爱…… 本片根据吉姆·戴维斯（Jim Davis）的同名漫画作品改编。
导演：
/Jeff Hall,Tom Ray,Ron Myrick
主演：
剧情：
《加菲猫和他的朋友们第二季》是一部由Jeff Hall/Tom Ray、Ron Myrick执导，:Lorenzo Music等主演的动画片，1989年9月17日在美国首播。
导演：
/Jeff Hall,Tom Ray
主演：
剧情：
Skyway Robbery: Jon, Garfield and Odie are passengers on a rickety broken-down plane flown by Al G. Swindler, who bails out and leaves them to fly the plane. The Bunny Rabbits is Coming!: Orson and the others receive a moxia.cc telegram that says only 'The bunny rabbits is coming'. Close Encounters of the Garfield Kind: John, Garfield and Odie encounter a cute little alien whose reasons for coming to earth are more sinister than he leads them to believe.
导演：
/Jeff Hall,Tom Ray,Ron Myrick,Dave Brain
主演：
剧情：
加菲猫是一只把所有的时间都花在吃东西、看电视、睡觉上面的一只大胖猫。它的主人则是一个懒散的年轻人，他还拥有一只整天只知道吐舌头和追汽车的小狗——欧第。当然，欧第就成了加菲每天玩弄的对象。这一系列的动画片就是围绕着一只肥猫、一条傻狗和一个整天迷迷糊糊的主人展开的。
导演：
/弗莱德·戴克尔
主演：
剧情：
In 1959, an alien experiment crashes to earth and infects a fraternity member. They freeze the body, but in the modern day, two geeks pledging a fraternity accidentally thaw the corpse, which proceeds to infect the campus with parasites that transform their hosts into killer zombies.
导演：
/彼得·戴维斯
主演：
剧情：
本片是由哥伦比亚电影公司出资委任电视纪录片导演皮特•戴维斯（Peter Davis）拍摄的一部探讨美国为何在1959-1975年期间发动对越战争，越南人民的悲惨遭遇，以及美国人民对越战态度转变的纪录片。这是美国本土首次放映直接采访刻画越南平民惨境的影片，片中多次表现了美军将领的种族主义和美国政府对国内人民的无耻欺骗。电影于1974年在法国嘎纳电影节首映，随即便因内容的严重争议性被哥伦比亚公司搁置。制片人波特•施耐德（Bert Schneider）与亨利•兰格（Henry Lange）向哥伦比亚公司买回了版权，并终于1975年通过华纳公司在美国公映。 本片获1974年奥斯卡最佳纪录片奖，并被提名同年金球奖最佳纪录片。
导演：
/霍华德·霍克斯
剧情：
亨利（加里·格兰特 Cary Grant 饰）是一名英俊帅气的法国军官，在前线，他结识了前来应援的美国陆军妇女队军官凯瑟琳（安·谢里登 Ann Sheridan 饰），尽管两人之间的交流经常伴随着吵吵闹闹，但随着时间的推移，亦产生了真挚而奇妙的感情。 战争结束后，亨利决定跟随凯瑟琳前往美国，结婚并开始幸福的生活，然而此时，一个难题却摆在了他们的面前，那就是亨利并不能取得美国的合法居留权。为了解决这个问题，亨利和凯瑟琳想了一个损招，那就是让亨利打扮成妇女队的军官，混进美国。让两人没有想到的是，这个看似完美的计划执行起来却遭到了诸多变故，他们能够获得最终的“胜利”吗？
导演：
/埃米·谢尔曼-帕拉迪诺
剧情：
这一季，米琪（蕾切尔·布罗斯纳罕 Rachel Brosnahan 饰）在经纪人苏西（艾利克斯·布诺斯汀 Alex Borstein 饰）的帮助下继续着她的脱口秀梦想。而一直以来矜矜业业扮演着家庭主妇角色的米琪的母亲罗斯（玛琳·辛科 Marin Hinkle 饰），却突然觉醒了女权意识。她抛弃了总是无视自己的丈夫艾博（托尼·夏尔赫布 Tony Shalhoub 饰），前往巴黎完成自己的艺术梦想。 在离开了米琪后，乔尔（迈克尔·泽根 Michael Zegen 饰）回到了父母所经营的工厂干活，却发现那里的账目亏空管理混乱，与此同时，他和米琪的心中都还有着对彼此的留恋。米琪在度假期间结识了一名外科医生（扎克瑞·莱维 Zachary Levi 饰），两人之间似乎有着碰撞出火花的趋势。
导演：
/John Putch
主演：
剧情：
距第一部美国派已有10年，三个没救的新处发现了藏在高中图书馆的“索爱天书”。不过不幸的是，书已经残缺不全了。靠着书中不完整的建议，三人踏上了滑稽的破处之旅。
导演：
/亚力克斯·施塔德曼
主演：
剧情：
★ 在狼人家族继承人月圆之夜，却意外变身成一隻超萌贵宾犬，咩噗~ 进而展开一场疯狂逗趣又毛绒绒的奇幻冒险！ ★ 外表虽然有点重要...但相信自己的内心才是最强大的力量，才能成为真正的英雄！ ｜导演： 《猫头鹰的守护者》艾利克斯坦德曼 ｜英语配音： 《军法》伊莱史云戴尔 《弑婚游戏》萨玛拉威明 《欢乐合唱团》珍琳奇 ★故事大纲★ 福来弟即将继位成为狼人家族的领袖，他也相信自己有如父亲一般，会成为史上最威猛的狼人...。 然而，在福来弟14岁生日第一次变身时，他居然变成一隻名副其实的……贵宾犬，让他的美梦破碎。狼人群们更傻了眼，咩噗～族中长老给了他一项任务，在明天月出之前，他需要证明自己够格当狼人，否则他就会因资格不符永远遭到家族放逐。 福来弟在出发之前被表弟表妹恶整染上了粉红色的头髮，看起来更不威了～但他还是鼓起勇气踏上在外出探险之路，却在夜晚大城市的街道失去了方向，一隻流浪狗大姊大贝蒂阴错阳差帮助了他，而他必须在今晚克服粉红色超萌的外表，证明自己是百分之百的狼人。
