电影

　　A beautiful road movie, and a chance to talk about love for Mexico through the eyes of an American.

　　影片讲述围绕一起意外事件，国民陪审团的成员们探寻什么是正义的故事。

　　Disney宣布安娜·肯德里克主演的奇幻喜剧[妮可]将在Disney新打造流媒体平台播出。该片原定明年11月8日北美上映，现已撤档。目前关于新流媒体平台一切保密。据悉，该平台每年有望推出4-5部原创影片。[妮可]由马克·劳伦斯自编自导，肯德里克在片中饰演“挽救家族生意”的圣诞老人女儿。

　　在离别前的最后一晚，四个室友玩了一场游戏，因而揭开了一个将永远改变他们生活的秘密。

　　故事讲述珍妮佛努力走出创伤的同时，却发现自己回到了一个完全陌生且危机四伏的世界。

　　“那些追随光亮的人们，只会带来黑暗。” ——罗伯特·德恩诺　　少年韦尼亚明正面临着一次神秘的危机，他提出的疑问扰得他的母亲、同学和整所高中鸡犬不宁。　　—女孩们能穿比基尼去上游泳课吗？　　—性教育在学校课程中有一席之地吗？　　—应该把进化论作为自然科学的一部分来教授吗？　　很快，这个只对《圣经》发过誓的男孩的深信不疑把大人们彻底打败了。只有他的生物老师埃琳娜例外，她将对他的权威发出挑战。

　　Soo-ha leaves the city and goes to the roadside rest stop inherited from her father. The rest stop, however, is losing business as much as Soo-ha’s life is losing vitality. Because of a new road, few people pass this way and there are two employees who don’t really fit in. Even worse, her brother comes and passes his partial ownership to her and leaves his daughter behind. As Soo-ha gradually wears down, a South American band ‘Kawsay’ drops by the rest stop in the middle of their trip. Soo-ha welcomes them thinking they might attract more visitors.

　　想成为亿万富翁是每个人的梦想，但是人人都知道这不是一件容易的事，想知道他们是怎样成为亿万富翁的吗？想知道他们获得财富背后的故事吗？本纪录片将带你一探究竟、同时为你奉上一部“财富秘笈”，让你离你的发财梦更进一步！

　　

　　"There's a better life waiting for us. Who? Somebody else... Where? Somewhere else..." Brand New-U is a highly unconventional romantic thriller: an obsessive love story stripped down and re-arranged into the looping logic of a nightmare. It tells the story of a man - SLATER - who pursues the woman he loves - NADIA - through a series of parallel lives

　　华裔女性珍（郑佩佩 饰）与儿子凯（Andrew Leung 饰）相依为命，从柬埔寨金边移民到英国伦敦。不谙英文的她一直依靠儿子充当眼睛和耳朵，儿子就是她的全部。然而她并不知道凯的性取向，甚至长期以为凯和同居的英国人理查德（本·卫肖 Ben Whishaw 饰）只是“室友 ”。当凯因为一场车祸意外去世后，无助的珍惟有开始接触理查德，从而开始翻阅儿子生前不为人知的画面。一老一少将共同面对失去挚爱的生活——哪怕他们无法以言语沟通。　　《轻轻摇晃》由英国微波电影基金和BBC联合投资拍摄，是亚裔导演许泰丰的第一部剧情长片，它成功的结合了同志情感与移民故事，演员间细腻微妙的互动，让轻缓流动的画面与剧情有了饱满的张力与生动的趣味。《轻轻摇晃》获2014年圣丹斯国际电影节最佳摄影奖。

　　藉由台东青年陈大介为了追寻成为顶尖厨师的梦想，与爷爷发生争吵而离开了家庭为主轴，带出现代年轻人与老一辈想法格格不入的生活问题，以及家庭关系紧绷的社会议题，其中又以一位小偷人物的出现贯穿全剧，引起观众对生命、生活无常变化的发想及共鸣。最後由陈大介身份被小偷取代十年之间的亲情及爱情如何再次找回等议题，希望给予在生活中面临梦想与家庭抉择的人们一些鼓励。

　　圣诞节前一周，埃斯特尔降落在阿兰达机场。一年前因为丈夫汤米参与了瑞典有史以来最大的银行抢劫案，他们带着女儿匆忙逃离斯德哥尔摩。道上都在传他们要拿回属于他们的那一份，斯德哥尔摩的黑社会人人自危。如果汤米回来，整个城市都将毁灭。如果他不会来，也许更恐怖……

　　转学生麦丝为了赢过富家女伊莉莎白，向其下西洋棋的战帖，日后她偶然在公园遇见棋艺精湛却个性古怪的老先生诺曼，她拜託诺曼教导她西洋棋的技巧，要赢得人生这场棋。　　麦丝在转进私立女校的第一天，发现同学们都是富家千金，家境清寒的自己受到了排挤。为了不让努力维持家计的父母操心，她决定撑下去。麦丝选择了西洋棋社作为课后社团活动，对西洋棋一无所知的麦丝却受到富家女伊莉莎白的羞辱，一气之下，麦丝公然向伊莉莎白下战帖，因为她知道除非赢过伊莉莎白，否则麦丝就别想在学校有好日子过。　　回家路上，麦丝偶然在公园遇见棋艺精湛却个性古怪的老先生诺曼，她拜託诺曼教导她西洋棋的技巧，期望能在比赛上赢过伊莉莎白。诺曼将人生视为一盘棋，每颗棋子不是朋友就是敌人。诺曼还教导麦丝人生战场不可能单打独斗，要赢得人生这场棋，唯有在纽约市寻找答案。纽约，不仅将帮助麦丝赢得棋赛，还找回了麦丝自己的人生。

　　

　　繁华闹市，妖艳女子田代惠美（伊藤步 饰）坠楼身亡，身后留下一名年仅六岁的儿子新儿（高桥来 饰）。惠美的妹妹夏美（尾野真千子 饰）闻讯赶来，偶遇自称新儿父亲的男子铃木元（堺雅人 饰）。铃木的举止引起神奈川搜查一课警部补黑岩忠嗣（高桥克实 饰）的怀疑，他调查对方此前所在单位港东大学生命科学研究所，从校长神原（伊武雅刀 饰）的言词中发现，这些相关者对新儿似乎有着非同寻常的热忱。原来作为一位天才的生殖遗传领域的学者，铃木一心攀上医学研究的最高峰，而抵达神之乐园的途中，不可避免要打开那个违背人伦道德、甚至招致毁灭的潘多拉盒子。　　可悲的是，任何人得到这个机会，都无法抵挡欲望的诱惑，开启关于自己和他人的悲剧大门……

　　Fernando,一个孤独的鸟类学家，也是一个无神论者，他沿着着葡萄牙北部的一条河流穿行寻找濒危黑鹳，却被急流冲走后被两个朝圣的中国女孩救起。随后他陷入一个黑暗怪异的丛林，渐渐遁入一系列不可思议的事件，现实被幻想渗透...

　　Johnny喜多川广为人知的男性艺人事务所致力于将年轻男孩们培养成超级巨星，但50多年来，日本一直保守着喜多川的黑暗秘密——事务所男孩们长期以来对喜多川的性侵指控。即使在这位音乐大亨2019年离世后，日本传媒也基本上保持着沉默。为什么？记者Mobeen Azhar探索了作为J-pop偶像那令人窒息的事实，喜多川对媒体的影响，并揭露了对这一切视而不见而导致的残酷后果。

　　网飞纪录片《MH370：消失的航班》发布预告，3月8日上线。该片为调查式纪录片，聚焦MH370航班失踪事件，它试图解开航空史上最大的谜团，以令人震惊的细节揭示MH370航班失踪期间实际所发生的种种蹊跷事件。

　　初出社会的人权律师张正煦（张孝全 饰），首次承办案件便是震惊社会一时的补教名师性侵案，案主汤师承（李康生 饰）不仅利用童话故事哄骗年轻女学生，更假借交往名义与她们发生关系。涉世未深的张正煦为求表现，想尽办法要夺下官司胜利，希望能在工作上有所成就，却没发现心仪的对象女高中生陈新（江宜蓉 饰），正一步步落入汤师承所设下的圈套……

　　《大侠胡金铨》将分为两集上映：　　第一部曲——《先知曾经来过》：以编年史的方式逐部介绍胡导演的经典电影，让观众感受他的电影魅力，并透过重要学者及影评人们解析电影美学，再加上和胡导演合作过的重量级影人如徐枫、郑佩佩、王童、徐克、吴宇森、洪金宝等，一一分享当时的回忆与细节，逐步揭露胡导演的电影方法、美学风格，和他投入艺术之风范与疯魔行径。　　第二部曲——《断肠人在天涯》：细说从头讲述胡金铨飘泊一生无以为家的宿命，从北京、台湾、香港到美国，这样的宿命如何反映在他的作品之中，如何影响他的艺术生命轨迹。尤其在他晚年仍努力企图创作拍片，却一直壮志未酬的岁月，并非大家所想像风光。他是个创造时代的人，也是个在大时代翻转中，时不予我的孤独英雄。　　片中并透过胡金铨一手栽培，也是《龙门客栈》《侠女》男主角石隽的脚步，重返当年拍摄场景，让镜头仿佛穿越时空，闪回当年的点点滴滴。侠客老矣，却不放弃追寻五十年的恩师记忆，如师如父，情谊真挚。　　★ 电影大师胡金铨是影坛的武侠巨擘，一生作品不多，但开创全新武侠电影手法，作品奠定武侠电影的类型　　★ 《寻找背海的人》导演林靖杰记录了胡金铨的导演养成，探讨他的电影美学及他对电影艺术的热爱与追求　　★ 第一部曲集合曾与胡金铨合作影人石隽、吴宇森、徐克、洪金宝、许鞍华、徐枫、郑佩佩、王童及影评人焦雄屏、闻天祥、黄建业等人回忆访谈　　★ 第二部曲从北京、香港、台湾到美国，发掘生活对胡金铨作品的影响，去理解胡导演如何成为一位独特的艺术家　　★ 罕见从胡金铨的亲人、亲近友人口中回忆一代大师的生活点滴，让观众更了解他的一生及创作

　　大学生青山霜介（横滨流星饰）在打工的地方与水墨画实现了命运的邂逅。霜介沉浸在深深的悲伤中，一幅用黑白两色描绘的水墨画在他面前展开，他的世界从此改变了。在巨匠筱田湖山（三浦友和饰）的邀请下，他走进了水墨画的世界。霜介虽然对仅用线条描绘的水墨画的世界感到困惑，但还是被深深吸引住了。

　　邪恶的雷米博士在拜万迪精神病医院的地下私自创建了一个人体实验室，虽被塞文教授发现阻止了他的阴谋，但事情并没有结束。雷米的冤魂仍在附近徘徊，伺机反扑人间……20年后，一名神秘女孩被送往这个精神病院，同时她的到来也引起了雷米亡灵的注意。在女孩经过一系列恐怖怪异的事件后才知道，她是打开医院地下“地狱之门”的关键“钥匙”，雷米企图用她来达成邪恶的愿望。终于，大批恐怖的地狱活死人涌向人间，展开了一场血腥的大屠杀……

　　意大利最伟大恐怖大师达里奥.亚金托(《阴风阵阵》)执导的经典悬疑恐怖片 。一个在罗马的英国音乐家在一本神秘的鬼怪书中读到关于他邻居如何残忍被杀的过程，他前去拜访该书的作者，发现她也成了谋杀的牺牲品。音乐家在解开谜团的过程中，经历了许多奇异而恐怖的事情。影片的形式感非常强，无论是令人心跳的摇滚乐还是恐怖气氛的营造，都十分到位。意大利的完整版比其他版本多出20多分钟，其中包含了更多的血腥暴力场面。

　　American G.I.s who trespass on a Hindu ceremony are hunted down by a beautiful woman who has the power to transform herself into a cobra.

　　Three youngsters encounter an evil clown.

　　刚刚从精神疗养院出院的杰西卡想要重新开始生活，她和丈夫以及一位好友搬到了一个老旧的乡下农场，在那里，他们邂逅了一位寄住在那里的红发女孩，但是事情也随即变得诡异起来，因为这里仿佛存在着某种危险而又神秘的生物

　　六个年轻人为了电影噱头，于是出发作死去寻找神秘坟墓。然后他们遇到...恐怖的...香蕉！一场全球浩劫就此开始...

　　Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

　　In 1840, a samurai comes home to find his wife in bed with another man, so he kills them both and then himself. Flash-forward to the present day, and an American family of three moves into this since-abandoned house and starts to experience incidents of haunting and possession.

　　影片讲述令人闻风丧胆的糖人再度回来了，今次目的是要说服他那个当艺术家的女后人，跟他一样成为鼎鼎大名的人物的故事。

　　只要对着镜子念五次他的名字，就能将之召唤而出，但你也会因此赔上性命。传奇的连环杀手又回来了，在这部续集中他重出江湖，打算在纽澳良的狂欢节中大肆虐杀。

　　七个年轻人去一个荒凉的森林寻找熊，他们不知道的是，一个疯狂的越南老兵住在那里，他正在等待新鲜的血液……

　　四十年前以凌厉音效先声夺人，惊吓声威至今仍非同凡响。以疯人院板球赛的倒叙展开，前卫音乐家（尊赫）与妻子居于宁静村庄，不速之客一日突然到访。神秘男子（阿伦卑斯）自称在澳洲内陆杀死妻儿，并学会土著巫术，能以呐喊置人于死地。在海岸沙丘上张臂一呼，令音乐家崩倒，牧羊人与羊群丧命；魅惑亦令妻子迷倒，取代男主人位置。瘫痪孩子、斜倚裸女与主教头像，培根三幅扭曲人像呈现三个主角的畸零病态；文明与原始、理性与荒谬、真实与虚幻的对峙，在杜比音响下环回扩张，令诡异惊栗加倍撼人心魄。

　　Charles Dexter Ward's wife enlists the help of a private detective to find out what her husband is up to in a remote cabin owned by his family for centuries. The　　husband is a chemical engineer| and the smells from his experiments (and the delivery of what appear to be human remains at all hours) are beginning to arouse the　　attention of neighbors and local law enforcement officials. When the detective and wife find a diary of the husband's ancestor from 1771| and reports of gruesome　　murders in the area begin to surface| they begin to suspect that some very unnatural experiments are being conducted in the old house. Based on an H.P. Lovecraft

　　东京繁华之都，男男女女过着多重的生活。玲子（鈴木砂羽 饰）一天之中有着截然不同的身份，白天她是小剧团的演员，努力精进着表演事业；夜晚则化身涉谷的女王，见识着平时衣冠楚楚却有着各种隐晦欲望的男人。亚由美（片岡礼子 饰）的男友小健是一名高考复读生，为了供养男友，她瞒着对方用身体努力赚钱，向往有朝一日和小健走入婚姻的殿堂。两个女孩的故事，就在这喧嚣的大都市中静静展开……　　本片荣获1995年蓝丝带最佳女主角奖（鈴木砂羽）、1995年日本电影金像奖最佳女主角奖、1995年每日旬报最佳女主角奖、1996年横滨电影节最佳新人奖（鈴木砂羽、片岡礼子），片中写真由荒木经惟拍摄。

　　A pair of psychotic hoodlums and an equally demented nymphomaniac woman terrorize two young girls on a train trip from Germany to Italy.

　　护士玛利亚在当地医院工作，某夜她发现一个因腹痛而住院的孕妇惨死在了她的病床上，肚子像是炸开。第二天，玛利亚在去拜访死者家属的时候，偶遇了洛塔—— 一名卑鄙的推销员，同时也是一个满口秽言的情圣。他正挨家挨户的向那些无法负担的人们推销他那无用的仪器。在洛塔的花言巧语之下，玛利亚最终与他发生关系。两人完事之后玛利亚发现避孕套破了，并且有奇怪的东西开始在她体内生长。而她并不是唯一一个，后来她发现其他与洛萨上过床并怀孕的女人最终都以惨死告终。而她自己更像是坠入了一个噩梦中，无法逃离……（豆瓣电影字幕翻译2.0小组）

　　在曾经的青葱岁月中，罗米（米拉·索维诺 Mira Sorvino 饰）和米歇尔（莉莎·库卓 Lisa Kudrow 饰）是校园里靓丽的风景线，作风张扬又别具一格的两人在吸引众人眼球的同时也遭到了不少非议。如今，早已经走入社会的两人依旧维持着当初的友谊，只是，她们离曾经的梦想和梦想中的生活却很远很远。　　即将举办的高中同学会犹如一道闪电照亮了两人平庸的生活，在虚荣心的驱使下，她们决定乔装打扮一番，企图再度找回做“女王”的感觉。不幸的是，在同学会上，曾经的死对头希瑟（詹尼安·吉劳法罗 Janeane Garofalo 饰）毫不留情的拆穿了罗米和米歇尔苦心营造的假象，就在两人窘迫不已之时，一度被嘲笑为“书呆子”的男孩桑迪（艾伦·卡明 Alan Cumming 饰）变身百万富翁出现在了她们的面前。

　　永禄9年（1566），适值日本战国时代，8名落魄武士逃到某山村，从此解甲归田，过起普通农夫的生活。不久，毛利一族追查藏匿武士，村民庄左卫门（桥本功 饰）设计将武士们杀害。武士临死前放下诅咒，陷害他们之人必死于非命。在此之后，诅咒应验，包括庄左卫门在内8人死亡，村子也改名为八墓村。　　昭和24年，在东京担任飞机领航员的寺田辰弥（萩原健一 饰）突然得知自己竟是冈山县八墓村大家族多治见家的孩子，时当主多治见久弥（山崎努 饰）病入膏肓，辰弥作为遗产继承人被召回八墓村。然此行注定险恶非常，迎接他的外祖父井川丑松（加藤嘉 饰）刚一见面即遭毒杀。辰弥从村人口中知晓八墓村的由来，更得知庄左卫门即多治见家的祖先。非正常死亡事件接连发生，究竟是武士绵延400年的诅咒？还是其后另有阴谋？　　本片根据推理小说家横沟正史同名原著改编。

　　米哈伊洛（穆斯塔法·纳达雷维克 Mustafa Nadarevic 饰）曾经是公认的钢琴神童，有着无量的前途和对音乐的无限热爱。然而，当他的父亲被革命法庭判处了死刑，而母亲无法承受这样的打击决定自杀之后，米哈伊洛就彻底的告别了天才的头衔，陷入了深深的痛苦之中。　　一晃眼几十年过去，米哈伊洛依然没有能够走阴影中走出来。如今的他在一家琴行里教授音乐和钢琴，自始至终都过着形单影只的生活。一天，一个名叫奥尔吉查（安妮卡·多布拉 Anica Dobra 饰）的姑娘出现在了米哈伊洛的生命里，她的出现给米哈伊洛一潭死水的生活带来了很多的意外和惊喜，可是，当米哈伊洛和奥尔吉查越走越近时，他那可怕的过去也开始卷土重来。

　　安古斯（卢夫斯·塞维尔 Rufus Sewell 饰）和贝利（雷诺·维尔森 Reno Wilson 饰）在旅行途中结识了一名老水手，三人交谈甚欢相见恨晚。老水手将两人带到自己居住的城堡之中，在那里，隐藏着他引以为傲的秘密。原来，老水手曾经见过真正的美人鱼（卡拉·古奇诺 Carla Gugino 饰），不仅如此，他还费尽心机的捕获了她，将她囚禁在城堡之中。　　安古斯和贝利在美人鱼身上看到了无尽的商机，他们知道，这稀世珍宝能够给他们带来无限的财富和光明的未来，于是，两人联手将美人鱼偷走了。随着时间的推移，美人鱼的确给两人带来了财富，却也将他们推向了死亡的阴影之中。

　　A young woman is invited by her girlfriend, who lives in an English country mansion, to stay there with her. The estate, however, isn't quite what it seems--and neither is the friend who issued the invitation.

　　本片由一位探长调查一间明星失踪案开始，分别阐述了四段围绕在一间老屋的恐怖故事。第一个故事讲述了一对夫妇搬来这间老屋，丈夫是位恐怖小说家，没想到笔下创造的恐怖人物竟然出现在现实生活了；第二个故事讲了一个退休的经纪人搬来这间屋子住，偶然发现小镇上有间蜡像馆，里面有一个叫“莎乐美”的蜡像有着动人的美貌，让他无法忘记，可是事情却越来越离奇；第三个故事讲了一位父亲带着女儿来到老屋，父亲请来了一位女家教教导女儿学习，后来女家教发现女儿和父亲各有蹊跷；第四个故事讲的是一个准备拍摄吸血鬼电影的明星搬来老屋，因为拍摄现场需要吸血鬼斗篷，他来到一家神秘的商店买了一件古老的斗篷，结果让他变成真正的吸血鬼。

　　过度执迷工作以致神经衰弱的保罗（Ezra Godden 饰）经常为一个恐怖美人鱼的噩梦所困扰，为缓解压力，他随女友芭芭拉（Raquel Meroño 饰）以及好友豪尔（Brendan Price 饰）、维琪（Birgit Bofarull 饰）乘游艇来到西班牙度假。　　在海上，他们听到附近印波加小岛传来的神秘歌声，随后一场特大暴风雨袭来，游艇触礁，维琪受伤。保罗和女友乘救生筏前去小岛求救，而留守的豪尔与维琪却遭到不明生物的袭击。保罗他们在岛上见到身体怪异的居民，为营救好友他们被迫分开，而噩梦就此开始……

　Carl Kolchak is a newspaper reporter with an abrasive personality that has gotten him fired ten times from various big-city papers. Now he's reduced to reporting for a relatively small-time paper in Las Vegas. It's here he gets the story of his life. But will the local sheriff, or the D.A., or even his own boss, let him print it? He has an ally in the FBI agent brought in to investigate this strange case. It seems someone is biting the necks of young girls and draining their blood. Can this killer with supernormal powers really be a 70-year-old Rumanian millionaire? Can he really be a vampire? And can an aging reporter do anything to stop him?…

　　Duccio Tessari's rare Giallo starring Helmut Berger, Giancarlo Sbragia, Evelyn Stewart, Silvano Tranquilli & Carole Andre. A young student is murdered in a park by an unseen assailant during a heavy thunderstorm. The murderer makes his escape, but is identified by a number of people at the park exit. A sports presenter from a local TV channel, Alessandro Marchi, is quickly arrested, and despite protestations of innocence, is charged with the murder.　　Marchi calls his lawyer, who promises to have him released very soon, but when it comes to the trial the lawyers case is a weak one, full of holes, and Marchi is duly found guilty.　　All is not what it seems and it soon becomes apparent that the lawyer is having an affair with Marchi's wife and obviously does not have Marchi's best interests at heart…