Hen
搜索"Hen",找到757部影视作品
导演:
/安东尼·阿斯奎斯
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Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He threatens the customer with an open razor and lands in gaol.
导演:
/Stephen Heneveld,Trey Buongiorno
剧情:
未来世界的超级都市旧京山(San Fransokyo),热爱发明创造的天才少年小宏,在哥哥泰迪的鼓励 下参加了罗伯特·卡拉汉教授主持的理工学院机器人专业的入学大赛。他凭借神奇的微型磁力机器人赢得观众、参赛者以及考官的一致好评,谁知突如其来的灾难却将小宏的梦想和人生毁于一旦。大火烧毁了展示会场,而哥哥为了救出受困的卡拉汉教授命丧火场。身心饱受创伤的小宏闭门不出,哥哥生前留下的治疗型机器人大白则成为安慰他的唯一伙伴。原以为微型机器人也毁于火灾,谁知小宏和大白竟意外发现有人在某座废弃工厂内大批量地生产他的发明。
导演:
/Stephen John Murray,安德鲁·谭
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Five best friends trying to do the right thing in heartlake city, whilst trying to figure out friendships and what's important along the way. 五个最好的朋友试图在中心湖城市做正确的事情,同时试图找出友谊和什么是重要的一路。
导演:
/Kevin Fitzpatrick,Stephen Dost,Kyle McCabe
主演:
/内详
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迪士尼动画工作室的实验短片项目“短路”(Short Circuit)首批14部动画短片作品上线Disney+。这14部短片包括:水洼(Puddles):一个小男孩发现,路边的水洼是通往另一个幻想世界的入口,他努力吸引姐姐的注意力,想让她别一直盯着手机,也来看看他发现的神奇世界。交换生(Exchange Student):一位地球人来到外星人的学校里做交换生,她必须证明自己值得被这些新同学接受。幸运的假发(Lucky Toupee):有关一个被小矮人绑架的假发的故事。一个念头(Just A Thought):一个男生对他喜欢的女生的感情,都会真实地通过漫画中气泡的形式显露出来。循环(Cycles):讲述一栋房子里几代人的生活变迁。这本是一个VR短片。瓶中闪电(Lightning In A Bottle):在暴风雨中,一个小男孩用玻璃瓶捕捉了闪电,紧接着发生的事情出乎他的意料。比赛(The Race):一个死神想要在一次自行车比赛中收获一个灵魂,以在他的工作竞赛中获胜,但在终点线处他却发现了生命的更多意义。理发柔道(Hair-Jitsu):小女孩在想象中与邪恶的理发师斗智斗勇,避免自己的长发被第一次剪掉的故事。闹市区(Downtown):一个人没有赶上公交车,失望的他突然发现周围的街道有了色彩和生命。镜花(Jing Hua):一部中国水墨风格的作品,其中的女主人公为了缅怀自己逝去的师父,用神奇的功夫创造了一个水墨世界。雨滴(Drop):刚刚从天上落下的一滴雨与一个小女孩相遇的故事。天顶(Zenith):一只神奇的发光的雄鹿在宇宙中创造出多彩的星系,但也不小心创造出了一个黑洞。它必须做出抉择,阻止黑洞吞噬一切。房间里的大象(Elephant In The Room):父子俩收养了一只迷路的小象,让它协助他们照料种植的香蕉,但小男孩很快意识到,小象想回到它的亲人身边。捡回来(Fetch):小女孩和她的宠物在森林深处玩耍的故事。
导演:
/Stephen Fedasz IV
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Batman has been captured by the hazardous Harley Quinn. Chained and dangling over a tank of ravenous piranhas, how on Earth can the Dark Knight escape certain death?!
导演:
/让-马里·斯特劳布,达尼埃尔·于伊耶
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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
导演:
/安杰伊·瓦伊达
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Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.
导演:
/Viatcheslav Kopturevskiy
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Meek farmhand Sasha and policeman Dima have a fraught relationship. They’re brothers-in-law, travel companions, and—secretly—lovers. Over the course of their journey to visit Sasha’s grandmother, unspoken truths are uttered, intimacy is built, and authenticity is challenged. Although they may be far from the peering eyes of their oppressive society, their relationship teeters on a dangerous precipice. Selected and supported by the IFP Filmmaker Lab and destined to evoke both the breathtaking landscapes of BROKEBACK MOUNTAIN and the tragedy of a Dostoevsky novel, Viatcheslav Kopturevskiy’s auspicious debut drama is an elliptical and much-needed examination of internalized homophobia, repression, and identity in a remote Siberian town.
导演:
/伍迪·艾伦
剧情:
故事发生在纽约长岛,大企业家亚瑟(E.G.马绍尔 E.G. Marshall 饰)和同样事业有成的妻子伊芙(杰拉丹·佩姬 Geraldine Page 饰)就居住在这里,两人膝下有子女三名——蕾娜达(黛安·基顿 Diane Keaton 饰)、乔伊(玛丽·贝丝·赫特 Mary Beth Hurt 饰)和芙琳(Kristin Griffith 饰)。 身为家中的长女,蕾娜达是一位小有名气的诗人,然而,天性浪漫的她却没能拥有一段幸福的婚姻。次女乔伊嫁给了一名电影导演,虽然心中怀揣着文学梦想,但现实中,她不得不做一个跟在丈夫身后的全职太太。小女儿芙琳渴望成为一名演员,但是现实和理想的差距却让她的心中充满了焦虑。亚瑟和伊芙将三个女儿召回了家中,因为他们要宣布一件非常重要的事情——分居。
导演:
/英格玛·伯格曼
剧情:
Sailor Johannes Blom returns to his home port, after seven years at sea, to find that Sally, the girl he has been thinking of while away, is completely despondent. Seven years earlier, obstreperous Alexander Blom, brings his mistress Sally to live with him, his wife Alice, son Johannes, and crew, aboard the salvage boat he captains. Amidst all the tensions on the small boat, Johannes and Sally fall in love with each other. Written by Will Gilbert
导演:
/Sergei Solovyov
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在深邃的太空中,一个宇航员回望地球,回忆起自己童年的时光,于是时间回到1946年。哈萨克斯坦的一个小镇上,很多人都喜欢养鸽子。这天,有一只从遥远的地方飞来的白鸽引起众人的目光,万尼亚把这只鸽子抓住了,立即招徕众人的嫉妒和仇恨。后来,鸽子还是被偷走了,万尼亚不忍心让这只白鸽成为灵魂阴暗的人的牺牲品,拼了命也要把鸽子找回来,终于白鸽重新回到了蓝天。
导演:
/Mridul Mahendra
剧情:
Toolsidas is an ace snooker player, who 'only plays for his son'. But after Toolsidas loses in an important tournament to his arch-rival, his son decides to fulfill his father's dream. For this, he enlists the help of former snooker champion Mohammad Salam.
导演:
/多米尼克·格拉夫
剧情:
1931年的柏林。一个介于分租房和黑社会之间的环境,妓院是艺术家的工作室,纳粹在街上大肆辱骂,巴贝尔斯堡则梦想着制作"心理电影"。生活在澎湃,社会在发酵,在腐蚀。只要还有工作,拥有德国研究博士学位的雅各布·法比安白天写广告文案,晚上就和斯蒂芬·拉布德一起频繁出入城市中比较荒诞的场所。他的朋友-后来承认自己"在生活和职业的课题上"失败了-在谈到共产主义和性的时候,是个有进取心的人,而法比安却依然清醒而疏离。他等待着"体面的胜利",却没有真正相信它。他对柯内莉亚的爱是唯一让他质疑自己讽刺宿命论的东西。她成了他崩溃生活中的一缕希望。尽管与今天这个被人诟病的世界有很多相似之处,但要让埃里希·凯斯特纳深沉悲凉的自传体小说《法比安》-魏玛共和国最重要的小说之一-走出阴暗的生存环境是一个挑战。多米尼克·格拉夫出色地驾驭了这一挑战。他的风格是微妙的尖锐,冷血的轻快,却又安静忧郁。这部电影就像一个缓慢转动的迪斯科球,讲述了性行为和空冰箱之间的联系,以及幸福梦想的瓦解。